“My” being the key word in the title. Because it’s always about me trying to figure out you, me, and whatever-the-fuck-else I believe is going on. And one of my problems is committing to a vision or purpose long enough to try and manipulate whatever I think I can to help fulfill it, put the old shoulder to the wheel thing, join the team, rah-rah-rah, nose to the grindstone, get to work. Like most of you I’ve done it all my life, but I’ve enjoyed escaping from it more. Haven’t you? Isn’t there a grasshopper inside every ant yearning to fiddle around? All those ants working for the weekend, forty-eight hours of freedom! That’s what art is for me: unknowns, uncertainties. That really resembles life to me. Experiencing it or making it. art celebrates questions and wonder. It transports me somewhere, here and there. It invites me to hear and their, to jump in and go with the flow, “take a trip and never leave the farm” as Jim Stafford sang.
This perspective made it difficult to be an authority on anything other than myself. So it was hard to focus on a career for me, a professional career. The jobs I’ve found the easiest and most rewarding were teaching poetry and moving furniture. Poetry has no rules unless you want them. Poetry is all about you, the writer. The poet runs the show, so all I did was share things I liked, then asked people to write whatever they wanted to write however they wanted to write and then share it with me and others if they wanted to. Pretty sweet gig.
And my bread and butter day-job of moving household goods for twenty years was always new, a different job every day that ended every day, a job that involved problem solving, exercise, communication, and sensitivity. Moving is stressful. I loved making it easy and fun. I remember calmly telling one shipper, a woman who was very anxious about her stuff getting broken (in the voice I’ve used when talking to sick kids or animals) that moving is an act of faith; “Ma’am, it’s out of your control. There’s nothing you can do, so you might as well hope for the best, let go and trust us to do the best we can to make sure your stuff gets there in the same condition it was when we picked it up. That’s our job. our promise to you. We do our best. But sometimes things happen. All you can do is choose to have faith or you can fret and worry. It’s up to you. Either way, it will be what it will be when we get there.” I don’t remember a time when that didn’t help reduce the stress for them and us. But then sometimes I didn’t bother using it with a few shippers who were so stressed they were inconsolable, and a few times I had to walk away—those of you who work in the service industry know those assholes, there is no amount of money that’s worth taking that kind of shit.
HAPPY LABOR DAY ALL YOU GRINDERS!
Quitting Time I have the gift, the mind trick, to be present in the task at hand, do the job I've been hired to do— don't watch the clock but put my nose to it, the old grindstone, dig in, focus and get 'er done . . . because if I stop to ponder the possibilities beyond what is there in front of me, let my mind wander, I know it will bump into the hound watching me, waiting for the shift to end, poised to pounce on my chance glance in his direction . . . “So is it time? Are you ready? Can we go? Can we play?” Past experience, heartache and rage, has taught me: don't go there, do not answer nor pay any attention, don't make eye contact, just ignore him, don't even listen, make him sit in the car like the good dog he is, and wait till the day is done. Then, when he sees me coming out the door and notices the spring in my step, the grin on my face, he'll leap and bark and howl. We'll wrestle and jaw, sing along to the stereo, crank down the windows, feel the release and exhilaration of driving away into our day—that feeling of freedom—to do nothing or anything we want now that we're done doing for someone else. Quitting time is the sweetest part of the day when I get to play with my best friend, that shiftless-happy mutt inside me, the one who'll be with me till the end. He's a smelly black lab named “Marky Boy” who never grows old nor up and knows me better than anyone does. He dotes on me: every gesture I make, every word I utter, and I can count on him to bring me beer— he knows what I like— he simply loves being with me.
These days I still get the opportunity to work with young kids writing poetry, but most of the time I make my own poems whenever I want. That’s the greatest reward of living this long. Here are a couple inspired by other artists, the first, Gone, was written after seeing local artist Susan Carlson’s piece, Gone to the Birds, which transported me to all the abandoned shacks my dad loved to explore across the west and reminded me of stories from the past. Images, colors, collage art can trigger a story that never and always existed. That’s the power of art.
Gone cemeteries and ghost towns abandoned buildings the dilapidated evidence of lives lived and gone broken glass and missing doors some swollen and jammed to the floor the rank smells of mildew and stink pigs blend like ant hills littered with larch needles and rat shit mounding along the baseboards below the gaping chimney flue a yellowed-stiff pile of catalogs and magazines have welded over time the outline of a cabinet torn-down scars one wall another is scrawled with F-U-C-K in all caps and illustrated with a scratch-drawn cock and balls one tube sock lies on the floor of a dim bedroom the windows boarded-up a single cot-spring rusted to a metal foot-board the wood-grain face pierced by three bullet holes is hung in the wall by one leg punched through beaver board out back the old wood shed stands dramatically close a frayed rope still hanging from a rafter inside and a broken claw hammer lies half-buried in weeds beside the railroad tie stoop the outhouse a one-holer has lost its roof and reek the Hills Brothers coffee can holds no spare roll no one shits here anymore one story has it the young woman drown swimming in the Clark Fork River pregnant with her third it didn't take her husband a full year to follow her off the Rock Creek Road everyone knew he'd drown in a bottle the girls were farmed out to next-of-kin in the Midwest taken in like little birds fallen from the nest but who knows these headstones are almost a hundred years old so it must be a fairly safe bet the daughters are gone now too
And the following poem arrived while staring at a fence and thinking of Robert Frost’s Mending Wall. I hope something moves you to make something new today, in the way life happens to us fresh every day. We check it out, whatever is in our faces, crack open our baggage, rummage around in there, see what we might find to tiggle-up a gift or two, something for me, something for you. Peace.
The Fence Frost is here in summer— the board fence behind my house dappled by the shadows of tousled leaves in this late-August afternoon breeze calming in its comforting plaid blanket of variegated stains, browns worn and faded from weathering years knocking knots into holes, slats cracked enough to peer through the gaps into the mystery beyond. Still it stands straight-grained, square and well-maintained, obviously a quality wood in its day, fir I'd guess. But I'm no carpenter, though I know well-built, and Christ knows I am a Frost fan, that man who asked what was the point of building walls—why do good fences make good neighbors? Personally I can identify with boundaries, the desire to crawl inside myself and hide until I feel it's the right time to open the gate and invite my neighbor in to share the fare I've prepared, this sustenance born of my dark winter-skin and kindled warm enough to feed someone besides me the cold beauty I've found in fences.
This short collection is available from Bottlecap Press as a chapbook or a pdf download. The link is below.
https://bottlecap.press/products/cross-country?variant=49210775830843
"Poetry has no rules unless you want them".
This salient point, which appears to be a running theme in presenting yourself as a poet and a teacher of poetry, reminds me of a moment from Robert Bly talking with Bill Moyers: "...so I’ve been writing a poem every day in the way that Bill Stafford used to".
BILL MOYERS: How can you be sure you’re good if you’re writing a poem a day?
ROBERT BLY: You don’t. And, ah, (Clears Throat) Bill, someone said to Bill, “Is it true you write a poem every day?” He said, “Yes.” And they said, “Well, what do you do if you’re not so good that day?” He said, “I just lower my standards.” (Laughter) That’s the most helpful thing said about poetry in 40 years.
Thanks for lifting the veil just a wee bit so the rest of us can snatch a glimpse of what's possible.
Sláinte!